Artist Profiles FEATURES
Q&A With Matisyahu
By jESiO
“You make music and you put it out there and it becomes not yours anymore. You give it out. You give it to people to do what they want with it, you know, and it’s always just an amazing thing to me that my music resonates with people.”
1888: Back and Better than Ever
By Hannah Serrano
Their new music capitalizes on the best of what they already had. That is to say, it is more rocking than ever, richer, more layered. The guitar sections are shredders. It all seems more honed.
ODU Class Teaches the Business of Music
By Alfredo Torres
“A musician needs to be realistic about the difference between making it big or making a living.”
Real Talk with Brian McKnight
By Jerome Langston
Jerome Langston talks to Brian McKnight about his new album, inside info on Lebron, and why his label is a synonym for the word ‘cat.’
Jesse Chong: Humbled Greatness
By Vanesa Vennard
“I’m not sure if I’m a John Mayer type. He’s a good musician, but he also knows how to work the media. He’s about being a rock star, that’s his thing. That’s not my thing.”
The World is Wrong: The Candy Snatchers Final Release Hits 37th & Zen
By Andrea Rizzo
The Candy Snatchers were one of those bands that never made it big, but somehow made a big impression on the scene at large.
Q&A: Robert Simmons of Illusive Media, Creators of Lupe Fiasco’s New Video
By Hannah Serrano
“It’s one thing to work with artists that you pretend to like because they’re your clients; it’s another thing to work with artists you do like. And then to work with artists you like who have already made it, and they’re giving you that chance to work with them–it’s a great feeling.”
The Michael Jordan of Bagpiping
By Jim Roberts
Alasdair Gillies returns to Norfolk for the Virginia International Tattoo.
A Talk with the Intriguing Vienna Teng
By Jim Morrison
Teng’s performance at the Attucks Theatre April 17 represents one of her final performances before she heads off on a new career exploring sustainable business.
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Q&A With Foxy Shazam
By jESiO
Q&A with Hole’s opening band, the flamboyantly loud and adorably focused Foxy Shazam.











